![]() While my office’s M1 Mac mini manages to avoid noticeable fan noise even with Teams, my Intel-sporting laptop made its strain quite audible.Īlways one for redundancy, I used Audio Hijack Pro to record not just from my laptop’s microphones (I know veteran podcasters are wincing right now), but also a second source for podcast audio from my Apple AirPods Pro (wincing further). My co-host Jason and I typically use Microsoft Teams to coordinate our podcast recording and no one would accuse Teams of being lightweight. The result was as messy as one might expect: the whirl of the laptop fan in the background of the track made it seem almost unusable. While I usually use a nice condenser microphone in a carefully isolated space to produce something approximating studio quality recording, I found myself lying on my bed, coherent enough (maybe) to record, but certainly not using anything (even possibly) approximating a studio microphone. It all started a few months ago when I was recovering from a nasty flu ahead of recording an episode of Zippy the Wonder Snail. A series of little discoveries moved me to making those tools my one-stop-mic-enhancement shop for OBS Studio and beyond. I use Audio Hijack Pro, Loopback and Farrago as the core of our workflow on Zippy the Wonder Snail. Longtime Mac users who have any level of need for professional audio tools have probably encountered veteran developer Rogue Amoeba and their suite of tools. ![]()
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